mollin+voegelin


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Since 2008 Salomé Voegelin and David Mollin have developed a collaborative practice with words and sounds. Their work has a conceptual basis, establishing through texts, voices, sounds and images, conversations and reconfigurations of relationships and realities. Their artistic engagement focuses on invisible connections, transient behaviour and unseen rituals. It re-considers socio-political, architectural and aesthetic actualities through the possibilities of  an ephemeral sound, whose invisible mobility invites a semantic inhabiting of words and brings a participatory engagement to their installative and performance based works.


Their collaborative composition Barry Echo was produced for Magazine 4, Bregenz Kunstverein in Austria 2008, and is part of the ‘Playing with Words’ book and CD Compilation edited by Cathy Lane (http://www.gruenrekorder.de/?page_id=1885).

Their work Ed Ruscha was presented as part of Sound Reason Festival in Delhi, India 2013,

(http://soundreasons.in/sound-installations-andy-ghul/)

and their multichannel work Drafts has been performed at Artisphere in Washington DC, US, in Summer 2014. https://www.washingtonpost.com/goingoutguide/museums/fermata-at-artisphere/2014/05/08/4bec5ac8-d21f-11e3-9e25-188ebe1fa93b_story.html

In 2014 Voegelin and Mollin have worked on Dustcatcher, a 3 minute sound work as album track for The Ear is a Brain Compendium by Liquid Architecture, Melbourne Australia (http://www.pozible.com/project/182651)

and a text sound piece for Writing Sound 2: Writing, Listening, Performing at Lydgalleriet in Bergen, Norway in November/December last year (http://www.lydgalleriet.no/?page_id=1170).

More recently they have produced two installations and a performance for the Kunstraum Riehen, Basel, Switzerland on show  during May and June 2015 as part of Nietzsche Cyclists and Mushroom

(www.kunstraumriehen.ch/Ausstellungen/2015 http://www.badische-zeitung.de/ausstellungen/experimente-zur-sprache--105428707.html)

mollin+voegelin presented a ventriloquised performance of LanguagesofExile via thickear at Foundation B.a.d, Rotterdam, Sat 31 Oct. 2015 (http://www.foundationbad.nl/bad-event/doing-sounding-exchanging-thinking-the-auditory-experience-of-the-social).

Their own performance of the work is hosted by Sounding Out (http://soundstudiesblog.com/2015/11/02/languages-of-exile/) and a participatory reworking of the piece, with local artists and performers, is currently shown as part of the partner programme at the Marrakech Biennale in Morocco in 2016. (http://www.crisap.org/event/salome-voegelin-david-mollin-in-narrating-transformed/)

for examples of our work please visit our soundcloud, https://soundcloud.com/mollinandvoegelin and follow us on twitter mollin+voegelin @mollinvoegelin